Lihi Laszlo, Author at Doomnation Radio 🤘

Doom Cinema: The Elephant Man (1980)

The Elephant Man is a bleak exploration of suffering, dignity, and society’s unforgiving treatment of those who do not conform. As a tribute to the late David Lynch, this review revisits one of his most emotionally devastating works, a film that rejects sentimentality in favor of an unflinching look at human nature. With stark black-and-white cinematography, an oppressive industrial soundscape, and a powerful portrayal of disability, The Elephant Man is a biographical drama that mediates on how we define humanity and whether true acceptance is ever possible….

🛑 Note: This review may contain spoilers.

Q&A: Faustian Slip

Faustian Slip is the doom metal project of Jason Sullivan, a solo artist from Florida whose music blends classic doom influences with personal convictions, creating a sound that captures the essence of the genre. In this interview, he discusses the origins of Faustian Slip, the creative process behind reworking tracks for his latest EP, and the distinct challenges and freedoms of being a solo musician. With steadfast dedication to his craft and a focused vision for the future, Jason reveals what’s next for Faustian Slip and the music that defines his path.

Doom Cinema: The Wicker Man (1973)

A chilling blend of folk horror and psychological drama, The Wicker Man is a tale that explores the clash between ancient pagan traditions and rigid Christian beliefs, all set against the hauntingly beautiful backdrop of the Scottish Isles.

Q&A: Void Sinker

Void Sinker, the one-man project of Italian musician Guglielmo Allegro, crafts instrumental doom and drone metal that explores themes of isolation and transformation, weaving through evocative soundscapes that defy boundaries. In this interview, he offers a fascinating insight into the recording process from a solo artist’s perspective, focusing on his latest 2024 album, Stuck, while discussing the evolution of Void Sinker. He also shares his thoughts on the current Italian doom, sludge, and drone metal scene, reflecting on its vibrancy and influence, and the challenges and rewards of being an independent artist.

24 of ’24: A Year in Doom

As the heavy clouds of 2024 roll to a close, Doomnation Radio proudly presents the Top 24 Albums of the Year. From soul-crushing riffs to melancholic melodies, these albums capture the essence of doom for us, weaving through doom-death, gothic, stoner, sludge, epic, atmospheric doom, and – not surprisingly, mind you – so much more. Come join Doomnation Radio in its humble reflection on the most incredible music that shaped our sonic journey this year.

Q&A: Ze Stoner

Stoner rock thrives on heavy riffs, hypnotic rhythms, and a touch of spiritual exploration – and Ze Stoner delivers all this with their unique twist. Formed in Israel, the duo draws clear inspiration from genre legends like OM and Sleep, channeling their influence into a blend of meditative psychedelia and inspiring heaviness. In this Q&A, Alexander and Dor share their journey, from their first impromptu performance in the woods to crafting their didgeridoo-laden, desert-inspired soundscapes. Dive into their story to discover the heart of their music and their vision for stoner rock’s future in Israel and beyond.

In Pictures: De Mortem et Diabolum X, 6-7.12.2024

Last week, I had the absolute pleasure of attending the De Mortem et Diabolum X festival in Berlin, an event that has become a December staple for extreme metal enthusiasts. Berlin’s ORWOhaus provided, yet again, the perfect venue, with its intimate yet commanding atmosphere setting the stage for some truly great performances.

Q&A: Buzzard

Buzzard’s Doom Folk (2024) is an album that defies expectations, bridging the gap between the haunting weight of doom metal and the stripped-down honesty of folk music. The album combines gloomy-yet-cheeky, Sabbath-inspired riffs with the raw storytelling tradition of American folk music, creating something wholly unique. In this interview, Buzzard’s mastermind Christopher Thomas Elliott delves into the origins of the project, the creative processes behind Doom Folk, and the influences that shaped its distinctive sound.

Review: Mother of Graves – The Periapt Of Absence (2024)

Melancholy and Aggression in Harmony

Mother of Graves masterfully blends melodic sorrow with restrained aggression, delivering one of 2024’s most compelling doom/death albums

Q&A: Blissful Stream

In this interview, we delve into the creative mind of Martin, the mastermind behind the one-man doom metal project Blissful Stream. Hailing from Sweden, a country known for its rich doom metal heritage, Martin reflects on how his sound has evolved over time. He shares insights into the challenges of being a solo artist, the concept and cover art behind his latest album Fighting for the Cross, and what the future holds for the project. Through it all, Martin offers a glimpse into his artistic process, balancing tradition with originality, and more.