Taking the Devil’s Part: Venom, Cronos, and the Language of Black Metal
Black Sabbath ran from the Devil. Cronos wanted to be him. On the Venom frontman, who died on October 1 at 63,...
Doom metal radio and an independent magazine for heavy music, cinema, literature, and art.

During his final year with New Jersey punk band the Misfits, singer and songwriter Glenn Danzig began Samhain. Their brief career reveals how he changed the music beneath his horror stories, and why these...
Glenn Danzig performing with Samhain at Riot Fest, 2014. Photo: Randy Blythe.
Doom, Sludge, Death, Black, Gothic, and everything in between and beyond the stars
Reviews, interviews, and long-form writing on heavy music, film, literature, art, and the histories that connect them.
At thirty, Type O Negative’s October Rust brings its forest fantasies back to a family dining room. The Green Man, an imagined priestess, and a disappointed invocation of Bacchus reveal...
Black Sabbath ran from the Devil. Cronos wanted to be him. On the Venom frontman, who died on October 1 at 63,...
At Tmuna Theatre, Methuselian turned stoner doom, throat singing, guest instruments, crowd surfing, and Alejandro Jodorowsky’s The Holy Mountain into the same...
Three questions with an artist about one new song, where it came from, and what it opens onto.
All signalsSelected releases, heard together and given the space they deserve.
State of Doom #21 gathers the July 2026 round of new and recent doom metal in Doomnation Radio's ongoing Spotify series, collecting current releases and discoveries in one playlist for listeners who want to follow what has entered our rotation.
Film essays that follow a scene or image into the history, literature, politics, and visual traditions around it.
Dispatches from Doomnation Radio.
A dispatch from Doomnation Radio with new writing, radio additions, and selected videos.
Subscribe to THE DRONETen pieces to begin with, chosen from across the magazine for readers finding Doomnation for the first time.
Paradise Lost's Gothic turned 35 in 2026. The anniversary edition clarifies its documented origins in death-doom, Sisters of Mercy, Celtic Frost, Ken Russell,...
Through the GlassRobert Wiene’s The Hands of Orlac (1924) turns a pianist’s hand transplant into a crisis of agency. Read beside postwar reconstructive surgery, Freud’s...
Doom CinemaRequiem in White named themselves after the Catholic Mass for the Dead, played the New York underground in a former Episcopal church on...
InterviewBarcelona's Litúrgia turn Catalan legends, pilgrimage routes, Romanesque church imagery, and the Catalan language itself into the material of their debut album I....
Review